French Impressionist Painter, 1848-1894 Gustave Caillebotte was born on August 19, 1848 to an upper-class Parisian family. His father, Martial Caillebotte (1799-1874), was the inheritor of the family textile industry and was also a judge at the Seine Tribunal de Commerce. Caillebotte father had been twice widowed before marrying Caillebotte mother, C??leste Daufresne (1819-1878), who had two more sons after Gustave, Rene (1851-1876) and Martial (1853-1910).  Related Paintings of Gustave Caillebotte :. | Racing boat | The Pink Villa | Yellow field | Paris Street A Rainy Day (mk09) | The Yellow Fields at Gennevilliers |
Related Artists:
Peale, Harriet Cany
American, 1800-69
Robert William Buss
British painter and etcher , 1804-1875 was a Victorian artist, etcher and illustrator perhaps best known for his painting Dickens' Dream. Born in Bull and Mouth Street, Aldersgate in London in 1804, Buss served an apprenticeship with his father, a master engraver and enameller, and then studied painting under George Clint, a miniaturist, watercolour and portrait painter, and mezzotint engraver. At the start of his career Buss specialized in painting theatrical portraits, with many of the leading actors of the day sitting to him, including William Charles Macready, John Pritt Harley, and John Baldwin Buckstone. Later Buss painted historical and humorous subjects. He exhibited a total of 112 pictures between 1826 and 1859, twenty-five at the Royal Academy, twenty at the British Institution,
Lorenzo Delleani
(Pollone (Biella), 1840 - Turin, 1908) was an Italian painter. A pupil of Cesare Gamba and Carlo Arienti at the Albertina Academy in Turin, Delleani worked initially in the field of history painting and received various marks of official recognition. He exhibited work at the Paris Salon of 1874 and gradually modernised his means of expression and range of subjects at the end of the decade with a new focus on landscape and painting from life. The early 1880s saw an exclusive focus on painting en plein air, capturing light in thick strokes of colour. His most frequent subjects were views of the Piedmontese and Lombard countryside in changing conditions of light and season. The artistes presentation of some 40 works at the Venice Biennale in 1905 and participation in the International Exhibition in Munich of the same year set the seal on his international success.